William Shakespeare’s most popular play “Macbeth” is adapted anew with powerful performances by ace actors – Academy Award nominee Michael Fassbender in the title role and Academy Award winner Marion Cotillard as Macbeth’s wife.
One of the greatest tragedies ever created, the latest “Macbeth” movie is directed by highly-acclaimed director Justin Kurzel. From the producers of “The King’s Speech” comes the story of a fearless Scottish General, Macbeth (Fassbender), whose ambitious wife (Cotillard) urges him to use wicked means to gain power of the throne.
As relevant as today’s world issues on politics and abuse of power, “Macbeth” is a thrilling interpretation of one of Shakespeare’s most famous and compelling characters, a reimagining of the realities of war-torn times and a tale of all-consuming passion and ambition.
Teeming with blockbuster battle scenes and superbly powerful performances by the lead and supporting cast, “Macbeth” is produced by Academy Award winners Iain Canning and Emile Sherman of See-Saw Films (“Shame,” “Tracks,” “Mr. Holmes”) with Laura Hastings-Smith (“Hunger”).
Of all of Shakespeare’s classic works, Macbeth must surely be amongst his most famous. Certainly, in the more than 400 years since its first publication, it has been one of the most frequently adapted; revived regularly on stage and re-envisioned time and again in the age of cinema and television. The tragic tale of a Scottish general haunted by his own ambition, and a prophecy that he will one day become King of Scotland, has long fascinated actors, directors and audiences, and on the big screen has led to adaptations by directors from Orson Welles to Roman Polanski.
But with a new generation of British actors commanding the stage, as well as screens big and small, producers Iain Canning and Emile Sherman of See-Saw Films felt the time was right for a new approach to Macbeth. “You’ve got actors such as Tom Hiddleston and Jude Law playing the leads in Shakespeare plays,” notes Canning.
“And I think it’s interesting to see this new wave come in and reinterpret the plays – discovering again what they mean.”
The timing was right from a topical point of view too, with greed, and its effects, on the agenda more than ever before. Notes Jack Reynor, who plays Malcolm: “Greed is a really terrible thing that can corrupt on a monumental scale, and it can destroy people’s lives. So the story of Macbeth is particularly poignant when you take into account the economic climate of the past few years.”
The filmmakers felt that the globalised nature of the world today offered an opportunity to increase the scope of the story on the big screen and give Macbeth a modern feel. “What I think has been very strong in this adaptation is the sense of community and the wider world that exists around these characters,” Canning notes. “We’ve expanded the idea that Macbeth and Lady Macbeth exist within a world, that they were a product of it and that their actions affected it. We’re exploring the story from a much more modern, cinematic place.”
For his part, Fassbender, who has fast emerged as one of the world’s most accomplished and popular actors, immediately saw the potential in a new adaptation of the play. “It was comprehensively engaging,” he says of his attraction to the project. “It’s an amazing piece of writing and you’ll only get one chance to do it. So I tried to be as well-prepared as I could be and making sure I uncovered every stone so that you’re not leaving anything wanting at the end of the day.”
“Macbeth” opens in local cinemas this January 13 from Pioneer Films.
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